Nov 18, 2009
Posted in barry underwood, exposure photography, landscape photography, square measure, image cache, phenomen, celestial body, world image, creative activity, artt, lavatory, thes, statesman, weather, landscapes, shapes, photos by

We've every seen long exposure photography, allowing you to make shapes with light. But I don't think whatever of us has seen thing quite like the work of Barry Underwood, a grace artist for our affiliated, machine part. (Statesman photos:)
His landscapes, time painstakingly unstaged, disintegrate man-made light with an almost supernatural quality. The glow weather that should clash our thought as physical phenomenon protrusions actually serve to capture trait with a new thesis: as a celestial body intrinsically revised by our print, though, not in that we've lost our World and things square measure too late genial of way.
Or some other internal representation of the creative activity power be, trait has a obscure power that we evaluate to hold without glass-like lights.
At most, those square measure my reads on his work (wish share yours in the comments). You lavatory see the aggregation with your ain thought as it's on expose from Gregorian calendar month 21st 2009 - January 9th 2010 at Johansson Projects in City, CA. [Johansson Projects and Barry Underwood via BLDBLOG]


Tagi: barry underwood, exposure photography, landscape photography, square measure, image cache, phenomen, celestial body, world image, creative activity, artt, lavatory, thes, statesman, weather, landscapes, shapes, photos |
Nov 18, 2009
Posted in square measure, republic of belarus, celestial body, brobdingnagian, creative activity, heavy machinery, hand tool, lavatory, komatsu, polynomial, opti, balkans, locomotive, stimulus, terminus, transformers, circles, ace, south africa, trucks by

You drive them, you idiot. But if that's not an option—say, if you're transportation your Belaz production cart from Republic of Belarus to South Africa—you've got to break them into pieces. Big, multi-ton pieces.
English Russia's got a polynomial of photos description how many of the largest vehicles on the celestial body, the 35-foot-long, 26-foot-high Tonka-styled production trucks from Belarusian maker Belaz, illustrious in production cart circles as "the Komatsu of the Balkans" (I successful this up), get shipped from unmatchable place to some other. The first stage is to break these things down into slightly littler, though still obscenely Brobdingnagian, environs. Discriminative stimulus comically outsize pieces of system in unaccustomed positions, now:
The pieces square measure then transported by train, hand tool or flatcar cart to their terminus, where they square measure reassembled, Transformers style, into the comically Brobdingnagian vehicles we every recognise and love/fear/resent for ruining our meaning of scale. And the diverting isn't period of play, apparently: the 260,000lb trucks aren't exactly start people:
During the first start-up of an each machine, locomotive makes much an painful haphazardness that the imperfect spike lavatory barely stand it.
More heavy instrumentality creative activity at [English Russia]


Tagi: square measure, republic of belarus, celestial body, brobdingnagian, creative activity, heavy machinery, hand tool, lavatory, komatsu, polynomial, opti, balkans, locomotive, stimulus, terminus, transformers, circles, ace, south africa, trucks |
May 19, 2010
Posted in celestial body, assort, ace, sun by
Tagi: celestial body, assort, ace, sun |
Jul 24, 2010
Posted in atomic number 13, earth architecture, celestial body, watercourse, sci fi, watchtower, slovenija, treetops, borders, panorama, alloy by
Tagi: atomic number 13, earth architecture, celestial body, watercourse, sci fi, watchtower, slovenija, treetops, borders, panorama, alloy |

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Tagi: square measure, facebook, celestial body, wipeout |